flesh, blood and convoluted
Distant, the barren silencewhere essence is rooted
More varied in nature,than god and less near
Rarely in an imageof something crystal clear
More exuberant,more immediate,
less austere
With oh, much confusionand far, far greater fear
Beyond your drab conceptionsof truth grand and dear
With faith in independencefirmly held and sincere
Knowing all too well it mustfinally disappear
With gentle death
‘Cause in the end there’s nothing, more or less
Finding signs in lover’s eyes
and in the words of men
Then finding peace still missingto begin that search again
Hard science lights a candle,in the blackest night
A path thru superstitionto dim future, fully bright
Intuition demands trustin only reason’s might
Ever mindful of the distancefrom delusion to insight
With blessed frequent respitein romance’s lambent light
Desire’s fleeting naturerenders passion no less bright
There’s cause in creativityand money’s a delight
But no final solutionto our appetite
For stress
For in the end there’s nothing, more or less
but the query found the sleuth
Seeking for the core suggestsa proof of the truth
It turns out that its namemeans nothin’ to me
When called spiritthen all is spirituality
If we look for mind,consciousness is all we’ll see
Name it god or love,you’re really still not free
Words trapping the experience,to separate it from me
What finally snaps the chains
of that verbal slavery
Is only this,
In the end there’s nothing more or less
a perplexing maze
And god is even more so,or so reason seems to say
Complications of existenceweigh me down
Ten thousand separate jewelsin the lords crown
Ten thousand soulsin ten thousand towns
Awaiting his coming,knees bent to the ground
Hands uplifted,faces facing down
When that gentle laughdrew my attention ‘round
Emerson’s voice, in my ear,a blissful sound
Gem-like phrases resonate,celebrate
and resound
To teach and bless
That in the truth, there’s neither more nor less
With feet on this dusty road,
and no sight of start or end
The horizon stretched before us,highway without a bend
More vast than we can grasp,we behold the view
The horizon doesn’t hold the truth,the road itself is true
To try to understand we can,dissect the avenue
Sift through countless qualitiessearching for a clue
Faith and hope and charity,kindness and virtue
Shatter its workings tenfold,concepts to help imbue
Our inkling of a worldwe somehow already knew
Or take in thirds life’s natureto help the mind lasso
By body, soul and spirit,a creator’s parts and glue
Or split truth down the middleto help the mind construe
The nature and the meaning ofnature’s cosmic review
Good and bad, death and life,divide the truth in two
Still all these fractions from,one single essence grew
At some point all the splintered partsmust collapse into
One heart, one mind in concertthe divisions can undo
In quietness they coalesce
‘Cause in the end there is no more nor less
1 comment:
This is very good. I was put off from reading it for a while because of the length. Now that I’m not in a net rush anymore, I enjoy the benefits of a slow reading. It’s a shame this work has been allowed to sit for so long without any attention.
First, thank you for the structure and the rhyme. The free verse on this blog is reasonably restrained, but so-called poetry I read elsewhere makes your stanzas of mostly 5 rhyming couplets, each finishing with a 5-line altered rhyme thingy, a relief and a reward. At first I thought your poem’s ideas were serving the rhymes, but it is definitely the other way around. Bravo.
“More Or Less” seems to me a philosophical mini-epic on the common psychological limitations of both the analytical and the intuitive approaches to personal meaning. (You could indeed expand the poem into a real epic mental journey, with concrete examples of people attempting to negotiate reality with these approaches, and/or emotional digressions on the basic dynamic you’ve brought to light). The passage on our bustling distance from our essence, at once more exuberant and varied, and more confusing and fearsome, than religion would have it, is particularly acute. It illumines the appeal of both science and romance -- an unusual and revelatory pairing. The two sequential stanzas beginning with the detective and ending with the tribute and cue from Emerson are elegant and strong in clarifying your premise (or finding), and sweep a clean path for the philosphical conclusion of the piece, which seems to be an acceptance that all the “divisions” you’ve wrestled with “in quietness... coalesce.” Really beautiful. Such poetry evokes that quietness in this reader.
An accomplished poem. The simple structure and nicely tightened language keeps the topic from oozing out all over the page; you’ve stated a significant problem, and a solution, in a way that is both economical and expansive. Thank you. Please write more.
m|t
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